— Edward Hopper
It’s the birthday of Edward Hopper
Hopper had only sold one painting by the time he was 40 years old, but his first major exhibition — in 1933 at the Museum of Modern Art — made him famous. His pieces in that show had titles like Houses by the Railroad, Manhattan Bridge Loop, Room in Brooklyn, Roofs of Washington Square, Cold Storage Plant, Lonely House, and Girl on Bridge. Though his work was more realistic and less experimental than most other painters at the time, he painted his scenes in a way that made them seem especially lonely and eerie.
— Edward Hopper
I like looking at the Hopper paintings that don’t get posted 100 times a day too.
Jo Sketching at Good Harbor Beach 1925 The subject of this painting is his wife, Jo.
after Hotel Room by Edward Hopper, 1931
Yet another Hopper parody of Nighthawks - Archie #649 by Jeff Shultz Image via Comicvine
Really enjoyed seeing the Hopper exhibit at the Whitney Museum:
Edward Hopper’s masterpieces alongside over 200 drawings that inspired them in Hopper Drawing
Not that Hopper needs animation…
A Sunday September Equinox
A Woman in the Sun by Edward Hopper, 1961 via whitney.org
Another equinox approaches. They are…
Through October 6
Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper’s drawings reveal the continually evolving relationship between observation and invention in the artist’s work, and his abiding interest in the spaces and motifs—the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney’s unparalleled collection of Hopper’s work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper, many of which have never before been exhibited or researched. The exhibition surveys Hopper’s significant and underappreciated achievements as a draftsman, and pairs many of his greatest oil paintings, including Early Sunday Morning (1930), New York Movie (1939), Office at Night (1940), and Nighthawks (1942), with their preparatory drawings and related works. This exhibition also features groundbreaking archival research into the buildings, spaces and urban environments that inspired his work.